Lowell Singer - The Walt Disney Co. Robert A. Iger - The Walt Disney Co. Christine M. McCarthy - The Walt Disney Co.

Benjamin Daniel Swinburne - Morgan Stanley & Co. LLC Michael B. Nathanson - MoffettNathanson LLC Doug Mitchelson - UBS Securities LLC Alexia S. Quadrani - JPMorgan Securities LLC Todd Michael Juenger - Sanford C. Bernstein & Co. LLC Omar Sheikh - Credit Suisse Securities (USA) LLC Jessica Jean Reif Cohen - Bank of America Merrill Lynch Jason Boisvert Bazinet - Citigroup Global Markets, Inc. Steven Cahall - RBC Capital Markets LLC Daniel Salmon - BMO Capital Markets (United States)

Welcome to The Walt Disney Company Q3 FY 2017 Earnings Conference Call. My name is Karen, I'll be your operator for today's call. At this time, all participants are in a listen-only mode. Later, we will conduct a question-and-answer session. Please note that this conference is being recorded. I will now turn the call over to Lowell Singer, Senior Vice President of Investor Relations. Lowell, you may begin. Lowell Singer - The Walt Disney Co.: Good afternoon, and welcome to The Walt Disney Company's Third Quarter 2017 Earnings Call. About 25 minutes ago, we issued two press releases, both our earnings release and a press release announcing our acquisition of majority ownership of BAMTech, and two upcoming direct-to-consumer streaming services. Both of those releases are available on our website at www.disney.com/investors. Today's call is also being webcast, and a recording and transcript will also be available on our website. Joining me for today's call are Bob Iger, Disney's Chairman and Chief Executive Officer; and Christine McCarthy, Senior Executive Vice President and Chief Financial Officer. Bob will lead off, followed by Christine, and then, of course, we'll be happy to take your questions. So with that, I'll turn the call over to Bob, and we'll get started. Robert A. Iger - The Walt Disney Co.: Thanks, Lowell, and good afternoon, everyone. Besides today's earnings release, which Christine, will detail after my remarks, we're also announcing a major strategic shift in the way we distribute our content. We're excited by this change and see it as an important logical way for us to take advantage of the combination of our strong brands with the technological evolution the entire media business is undergoing. It's been clear to us for a while with the future of this industry will be forged by direct relationships between content creators and consumers. Given our incomparable collection of strong brands that are recognized and respected the world over, no one is better positioned to lead the industry into this dynamic new era, and we're accelerating our strategy to be at the forefront of this transformation. Last year, we acquired a substantial stake in BAMTech to help us scale and monetize our streaming capabilities. Since then, we've been increasingly impressed with the platform, the leadership, and the potential to drive growth. So much so that we're investing an additional $1.6 billion to increase our stake from 33% to 75% and acquire control of the company. This move gives us immediate access to the team and the technology we need to deliver the highest quality direct-to-consumer experience, which ultimately gives us much greater control of our own destiny in a rapidly changing market. As a direct result of this acquisition, we are greatly expanding our plans for the first ESPN-branded direct-to-consumer service. We're creating a more robust multi-sport package, which will give sports fans access to more live sports, 10,000 additional events annually including Major League Baseball, the National Hockey League, Major League Soccer, Grand Slam Tennis, and college sports. Additionally, we'll make individual sports packages available for purchase, including MLB.TV, NHL.TV and MLS Live. Subscribers will access the new service through an enhanced version of the current ESPN app, which millions of fans already use for sports news and programming. We'll fully integrate the new subscription service into the same app as part of our strategy to create the premier digital destination for sports. Consumers, who are pay-TV subscribers, will also be able to access the ESPN television networks in the same app on an authenticated basis. Ultimately, we envision this will become a dynamic sports marketplace that will grow and be increasingly customizable, allowing sports fans to pick and choose content that reflects their personal interests. Our new direct ESPN service will be available to consumers in early 2018. Of course, one of the most compelling brands for a direct-to-consumer product is Disney, and to that end, we will launch a Disney-branded streaming service in 2019, which will be unlike anything else in the market. The new service will become the exclusive home in the U.S. for subscription video-on-demand viewing of the newest live action and animated movies from Disney and Pixar, beginning with the 2019 slate, which includes Toy Story 4, the sequel to Frozen, and The Lion King from Disney live-action, along with other highly-anticipated movies. We'll also be making a substantial investment in original movies, original television series, and short form content for this platform, produced by our studio, Disney Interactive and Disney Channel teams. Subscribers will also have access to a vast collection of films and television content from our library. With this strategic shift, we'll end our distribution agreement with Netflix for subscription streaming of new releases beginning with the 2019 calendar-year theatrical slate. These announcements marked the beginning of what will be an entirely new growth strategy for the company, one that takes advantage of the opportunities the changing media and technology industries provide us to leverage the strength of our great brands. Turning to another major growth area for us, today's results reflect our aggressive investment in our Parks and Resorts business. Given the success of these investments and their continued attractive returns, we're continuing to leverage our great intellectual property and numerous investments across our Parks and Resorts businesses. Over the last decade, we've transformed Disney California Adventure, doubled the size of our Cruise fleet, brought the phenomenal world of Pandora to life in Orlando, and opened the spectacular Shanghai Disney Resort, which has already welcomed more than 13 million guests. Looking ahead, we'll open Star Wars: Galaxy's Edge in Disneyland and Disney World in 2019, and we just announced an immersive Star Wars-themed hotel in Orlando as well. The most popular attraction in Shanghai Disneyland is our E-ticket TRON Lightcycle experience, and we're bringing the same attraction to Disney World as part of our ongoing expansion there. We're also transforming Epcot with new attractions based on Ratatouille and Guardians of the Galaxy. We're making some important investments in Disneyland Paris, including transforming the existing Hotel New York into our first Marvel-themed hotel, and we're adding three incredible new ships to the award-winning Disney Cruise fleet, all of which will be completed by 2023. Before I turn the call over to Christine, I want to mention some of the movies we're looking forward to from our studio. We've got four movies from Marvel in the next fiscal year alone, Thor: Ragnarok, Black Panther, Avengers: Infinity War, and Ant-Man and the Wasp. The full Marvel development activity extends well into the next decade. We've got a lot of fantastic animation on the way starting with Pixar's Coco and The Incredibles 2. Additionally, highly-anticipated sequels to Frozen, Wreck-It Ralph, and Toy Story are in production. We're also looking forward to A Wrinkle in Time from Disney Live-Action as well as live-action versions of Mulan, Dumbo, and The Lion King. And coming soon from a galaxy far, far away, Star Wars: The Last Jedi will be in theaters this December, followed by a Han Solo origin story next year, and Episode 9 in 2019. The studio slate is the strongest we've ever had, reflecting the valuable intellectual property we acquired in the last decade, and the array of talent at our Studio business. And with that, I'm going to turn the call over to Christine, to talk about our quarter, and then we'll be happy to take your questions. Christine? Christine M. McCarthy - The Walt Disney Co.: Thanks, Bob, and good afternoon, everyone. Earnings per share for the third quarter, excluding certain items affecting comparability, were $1.58, down 2% compared to last year. As I mentioned during last quarter's earnings call, we expected a number of factors to adversely impact our third-quarter results, the largest of which was higher programming expenses at ESPN due to the first year of the new NBA contract. I'll discuss the impact of these factors in greater detail as I go through the individual segment results. Let's start with Parks and Resorts, where operating income was up 18% in the third quarter, driven by growth in our International operations. Results at our Domestic operations were comparable to Q3 last year. Third-quarter segment results benefited from the timing of the Easter holiday, which fell entirely in Q3 this year, compared to Q2 last year. We estimate the timing of Easter drove an $80 million benefit to operating income, and accounted for about 8 percentage points of the 18% growth in segment operating income. The growth in our International operations was due primarily to the absence of pre-opening expenses at Shanghai Disney Resort and improved results at Disneyland Paris. As Bob mentioned, we feel very good about how Shanghai Disney Resort has performed during its first full-year of operations, and we expect the resort to be modestly profitable for the fiscal year. At Disneyland Paris; the resort's 25th Anniversary celebration helped drive growth in guest spending and attendance. Late in the third quarter, we increased our ownership in Disneyland Paris to 100%. We are encouraged by the resort's third-quarter results, and, as Bob mentioned, we are making investments to drive future growth. In our Domestic business, higher guest spending and attendance drove 6% revenue growth. But the increase in revenue was offset by higher expenses to support higher volume and new attractions, including Pandora – The World of Avatar at Animal Kingdom, and Guardians of the Galaxy – Mission: BREAKOUT!, at Disney California Adventure, as well as costs associated with an 18-day dry-dock of the Disney Fantasy. Attendance at our Domestic parks was up 8% in the quarter, benefiting from the timing of the Easter holiday, which accounted for about 3 percentage points of that growth. Per capita spending in our Domestic parks was up 2%. At our Domestic hotels, per-room spending was up 8%, while occupancy was down 2 percentage points to 88%. If you adjust for rooms not available due to refurbishments, occupancy would be comparable to prior year. So far this quarter, Domestic resort reservations are pacing down 3% versus prior year, driven by reduced room inventory due to conversions and ongoing room refurbishments, while booked rates are up 6%. Segment operating margin was about 24% for the third quarter, up 120 basis points over Q3 last year. We estimate the favorable timing of Easter accounted for approximately 120 basis points of margin expansion in the quarter. At Studio Entertainment, operating income was lower in the quarter as growth in television distribution was more than offset by lower theatrical and home entertainment results. While our studio is having another phenomenal year with over $2.1 billion in operating income year-to-date, I'll remind you, last year, the studio delivered record profitability. The decline in theatrical distribution during the third quarter reflects the performance of key titles in Q3 last year, including Captain America: Civil War, The Jungle Book, Finding Dory, and Alice Through the Looking Glass, compared to Guardians of the Galaxy Volume 2, Pirates of the Caribbean: Dead Men Tell No Tales, and Cars 3 in Q3 this year. Home entertainment results also faced a difficult comparison as they reflected the phenomenal sales of Star Wars: The Force Awakens in the quarter last year, compared to very strong sales of Rogue One: A Star Wars Story this year. At Media Networks, our Cable and Broadcasting businesses generated lower operating income in the third quarter, compared to last year. Cable results were driven by a decrease at ESPN where higher programming expense and lower advertising revenue more than offset growth in affiliate revenue. As we've discussed, ESPN is in the first year of its new NBA contract and about $400 million of the $600 million year-one cost step-up was incurred in Q3. Total Cable expense growth for the third quarter came in at 14%, about 2 percentage points better than the 16% we discussed on our last call. Ad revenue at ESPN was down 8% in the third quarter as higher rates were more than offset by a decrease in impressions. During the third quarter, ESPN had two fewer NBA finals games and three fewer conference playoff games compared to last year. We estimate this impact was roughly equivalent to the decline in ad revenue, compared to the prior year. So far this quarter, ESPN cash ad sales are pacing down, compared to prior year. Turning to Broadcasting, third quarter operating income reflected lower advertising revenue and higher programming costs, partially offset by higher affiliate revenue. Ad revenue at the ABC network was down 5% for the third quarter, as higher pricing was more than offset by a decrease in impressions. Quarter-to-date, primetime scatter pricing at the ABC network is running 11% above upfront levels. We continued to see nice growth in Broadcasting affiliate revenue, driven primarily by higher rates. Total Media Networks affiliate revenue was up 2% in the quarter due to growth at both Cable and Broadcasting. The increase in affiliate revenue was driven by about 7 points of growth due to higher rates, partially offset by approximately a 3.5 point decline due to a decrease in subscribers. I'll note that year-to-date, the impact of sub losses on the growth in affiliate revenue is less than 3 percentage points. At Consumer Products and Interactive Media, operating income was up 12% in the third quarter due primarily to an increase in our merchandise licensing business, which was driven by lower costs in the quarter, compared to last year. Operating income growth came in a little lower than we had planned, and while we still anticipate OI growth the second half of the fiscal year, we don't expect these results to be sufficient to drive growth at Consumer Products and Interactive Media for the full year. During the third quarter, we repurchased 22.3 million shares for $2.4 billion. Fiscal year-to-date, we've repurchased 64.3 million shares for approximately $6.8 billion, and we are on track to repurchase between $9 billion to $10 billion for the full year. And with that, I'll now turn the call back over to Lowell for Q&A. Lowell Singer - The Walt Disney Co.: All right, Christine. Thanks. Operator, we're ready for the first question.

Thank you. We will now begin the question-and-answer session. And we do have our first question from Ben Swinburne from Morgan Stanley. Benjamin Daniel Swinburne - Morgan Stanley & Co. LLC: Thank you. A lot of news today. I guess, Bob, to start out with, can you talk a little bit about the ESPN over-the-top service, and whether you've had any discussions with your MVPD providers in how this may fit or not fit into their retail offerings? And along those lines, as you head into a renewal cycle, obviously there's a lot of focus on your pricing power. Does this offer change your perspective on pricing power for the network? You've shifted away from your historical distribution model a bit here, but obviously a lot of media companies have already gone through this process, HBO, CBS, et cetera. So how are you thinking about the relationship between your core distributors and this new ESPN service that you're bringing to market? Robert A. Iger - The Walt Disney Co.: We've not had conversations with our distributors. As we enter a new round of distribution negotiations, we have all the confidence in the world and our ability to strike deals that are favorable to the company, given the strength of the product that we offer, particularly the strength of the brands. If you look very specifically at ESPN, we still see it as a must-have service for the multichannel providers because of the array of product that ESPN has licensed, and what they produce is original programming for the service. We have seen, as I think that many of you have, a pretty interesting and dramatic increase in, I'll call it, app-based media consumption. Much of it is on over-the-top direct-to-consumer services. And in our 33% investment in BAM a year ago, we got a real good perspective – or gained a good perspective on just how strong and high quality that product is and felt that, given the trends we're seeing in the marketplace, given the strength of the ESPN brand, and given how robust this platform is, it gave us an opportunity to really take advantage of all of this, the combination of all these things. And so we accelerated our right to buy control of the service, basically so that we can have even more control of our own destiny, but it's also something that the partners of BAMTech, notably Major League Baseball and National Hockey League concurred with. And so this gives us the ability to launch a new service, one that we've been talking about, but it will be even more robust than the one we anticipated. In the first year of operation, it should offer consumers approximately 10,000 additional live sporting events over what ESPN offers on its linear networks. This is a combination of the contribution of the partners, as well as what BAMTech has licensed, as well as what ESPN will provide and has also licensed to BAMTech. We're creating a one-app experience so that from a consumer perspective there's a real ease-of-use and ease-of-navigation, so that you can as an ESPN fan, you can use – go to one app, look at scores and highlights as you know the ESPN provides, authenticate it to watch the linear networks or buy up or buy an additional amount of live sports programming basically in the same experience on the same service. That's essentially it. It does give us optionality in the future. If we see changes in the distribution model, if we see either greater erosion or bigger opportunity to migrate the linear networks to a more direct-to-consumer proposition, we certainly have the technology to do it, and it can be done under relatively seamless circumstances. But we're not currently anticipating doing that as we launch this new app. Benjamin Daniel Swinburne - Morgan Stanley & Co. LLC: That's very helpful. And just on the Disney-branded direct-to-consumer service, Bob, as you, I'm sure, are well aware one of the beauties of Netflix model is its global, and so you're talking about a massive footprint to leverage your content. Are you thinking the same way about the Disney-branded service? You mentioned the change in your pay-TV, Pay 1 rights with Netflix in the U.S., but how are you thinking about the global opportunity? And what you need to do on the content site globally? Robert A. Iger - The Walt Disney Co.: Well, one of the beauties of the Disney brand is just how global it is and how strong the fan base of Disney is globally. Interestingly enough, Netflix did not have global rights to our Disney movies. They bought opportunistically in certain markets. So what we see doing on the Disney front is we will take our Disney-branded, Pixar-branded movies that had been part of the Netflix paying agreement starting with the calendar 2019 slate – by the way, that will include Lion King, Frozen 2, and Toy Story, among others. We'll migrate those, in effect pay window Disney Pixar movies, to a subscription Disney-branded service. We'll also tap into a vast library of movies and television shows that have been made by the company, the Channel and the Studio over the years, and we'll invest significantly in original movies and television shows exclusively for this subscription service. We'll also rollout the service in multiple markets outside the United States, but it will vary from market to market based on existing distribution agreements and different market dynamics. But I think you have to think about a Disney branded direct-to-consumer subscription service as a global product, even though we are being more specific today about launching a domestic product in the latter part of 2019. Benjamin Daniel Swinburne - Morgan Stanley & Co. LLC: It's very helpful. Thank you. Lowell Singer - The Walt Disney Co.: Ben, thanks for the questions. Operator, next question, please?

And our next question comes from Michael Nathanson from MoffettNathanson. Michael B. Nathanson - MoffettNathanson LLC: Thanks. Bob, I have two for you. One on the Netflix content and then, on ESPN. For Netflix, you haven't mentioned, yet, what you're going to do with Lucasfilm and Marvel titles. Will those stay on a Pay 1 service? And if so, why not go direct right now? And then I have an ESPN question. Robert A. Iger - The Walt Disney Co.: Well, what we're saying specifically is that the Disney-branded app will have the Disney and Pixar films. The disposition of the Marvel and Lucas or Star Wars films, we have not determined yet. We've had a discussion internally about how best to bring them to the consumer. It's possible we'll continue to license them to pay-service like Netflix, but it's premature to say exactly what we will do. We certainly have that opportunity. There's been talk about launching a proprietary Marvel service and Star Wars service, but we're mindful of the volume of product that would go into those services, and we want to be careful about that. We've also thought about including Marvel and Star Wars as part of the Disney-branded service, but there where we want to be mindful of the Star Wars fan and the Marvel fan and to what extent those fans are either overlapped with Disney fans or they're completely basically separate or incremental to Disney fans. So it's all in discussion. But we will say is that Disney Pixar will definitely part of this and not be part of any other pay window distributor in the United States. And disposition of Marvel and Star Wars we'll announce at a later date when we've determined what to do. Michael B. Nathanson - MoffettNathanson LLC: Okay. And then on ESPN and you're announcement today, what will change on the WatchESPN app? It's partly authenticated, but also you offer a lot of content on the ESPN3 service, which isn't really a channel but you've given more content to it. So how did WatchESPN evolve as you go more direct with your BAMTech idea? Robert A. Iger - The Walt Disney Co.: Well, we don't intend to migrate product off the primary linear services. We've already licensed product to BAM that ESPN had licensed from third parties, and we will increase the amount of ESPN product that will be part of this service, particularly a lot of college sports. We're not getting specific yet about exactly what will come from where, but I did mention 10,000 live events. That is basically the estimate that we've got based on the inventory that we've taken on how many sporting events will be available through this very specific subscription service. Let me take a step back for a minute, just to give you a little bit of perspective about BAM too. What impressed us about BAM was, first of all, it's the most robust live streaming platform out there. When you think about live sports and how much a sporting event live is consumed basically concurrently by the masses, you need a very, very robust technology platform to serve that. BAM is the only one out there that has that. In addition, they have great essentially customer management systems and technology. That's everything from onboarding and retention to credit card management to password management. They also have good ad technology. Think about the opportunities in terms of dynamic ad insertion as a for instance. And they basically have very, very strong data management as well and the ability for us to mine user data so that we can get greater customization and personalization. So this is something, when we talk about the current ESPN app, while that app is a very robust app, it didn't have nearly the robust amount of product on it that I just described that enabled us to do the kind of things that we want to do. So as you think about the app going forward, you think about one app, it looks pretty similar to the app that you've got now, except it can do a lot more, all the things that I just described. You can use it as an authenticated subscriber of a multichannel service, which basically gives you access to the direct, to the streams of the ESPN channels, or you can buy up or buy additional sports products through the subscription, but again, it's the same seamless experience. And there'll be upsell opportunities for us as well. So you'll watch a highlight, if you want to buy maybe part of a game that's going on live, if you want to buy that game, you'll be able to buy it directly through the app or subscribe to the service directly through the app. It's basically a one-stop shopping for the consumer and it's one-stop shopping for us in terms of our ability to manage the consumer that wants to consume sports through ESPN. Michael B. Nathanson - MoffettNathanson LLC: Okay. Thank you, Bob. Lowell Singer - The Walt Disney Co.: All right. Michael. Thank you. Operator, next question, please?

Our next question comes from Doug Mitchelson from UBS. Doug Mitchelson - UBS Securities LLC: Oh, thanks so much. Bob, continuing along this theme, I'm just curious, are there restrictions in your current MVPD deals that hold you back from taking ESPN over-the-top, you know, the main channel until you're fully through the renewal cycle? And I'm curious if you envision distributors partnering with you to bundle and sell these services with their broadband or video services? And then I've got a follow-up. Robert A. Iger - The Walt Disney Co.: I'm not going to comment specifically about the agreements. There are elements to the agreement that – well, first of all, if we wanted to take ESPN direct, we could. There are elements to the distribution agreements that we have that would cause us to if we were to bring the service direct to the consumer or create some – I'll call them sub-optimal circumstances for us. I'm not going to get into detail about that. If we were to create a direct-to-consumer app that had the linear services, just as Netflix is distributed by multichannel servers out there or product out there, we would give our distributors an opportunity to distribute our app and other third parties as well. Doug Mitchelson - UBS Securities LLC: Do you think that ESPN is – we all think it's about $7 or $8 within the bundle. Do you think there's an opportunity for this direct-to-consumer service to show that ESPN is undervalued within the bundle? Do you think it's fairly priced within the bundle based on your research? Robert A. Iger - The Walt Disney Co.: I think you're kind of leading the witness a little bit there. I'm not going to comment on our pricing today or our potential pricing power going forward. The ESPN brand is still very strong. If you look at the array of sports that ESPN has licensed, whether it's major sports from the NFL to the NBA to Major League Baseball to all the college packages or the great tennis that we have, it's a very high-quality service that I think is very much in demand from consumers. It obviously has suffered a bit from the overall impact of digital technology and new forms of media consumption on the ecosystem. One of the reasons that we're doing this is because of the trends that we're seeing. But another reason that we're doing it is because of the strength of the brand and the opportunity that this technology and the consumer trends that the technology has created are providing. It's not just a defensive move, it's an offensive move. Doug Mitchelson - UBS Securities LLC: If I could ask one quick follow-up on the Disney service, where will the team that runs that service be housed? Will they be within one of the Disney units? Will they and the programming team that's going to be doing original TV and movie content be housed in a new unit? Robert A. Iger - The Walt Disney Co.: We're creating basically a management team that BAM will report to. Well actually, we're creating a board because we'll have a couple of outside owners. I will be Chairman of that board, and we'll manage essentially the technology platform that is BAM. ESPN will control in effect its own destiny in terms of what's called programming of the app and the disposition of sports rights, et cetera, and so on. And then we will create a team that will manage the Disney side, too. But the Studio, the Disney Channel team and our Interactive team will all create products specifically for that Disney-branded subscription product. And I'll be directly involved on both sides. Doug Mitchelson - UBS Securities LLC: Thank you. Lowell Singer - The Walt Disney Co.: All right. Doug. Thank you. Operator, next question, please?

And our next question comes from Alexia Quadrani from JPMorgan. Alexia S. Quadrani - JPMorgan Securities LLC: Thank you. Bob, you're having so much success with your Studio IP, not just the box office, but driving growth in the parks as well. I guess now that you have another – or let's say different outlet for growth with the announced Disney streaming service, is there consideration to increase your investment even further in the Studio? Robert A. Iger - The Walt Disney Co.: Yes. What we're going to be doing – I think you have to look at it a different way, but it's a good question. We are going to be using our capital, increase – and it will represent increased spending that we hope to get a little bit more specific about either in the next earnings call or sometime at a later date when we have a little bit more visibility. But we've already begun the development process at the Disney Channel and at the Studio to create original TV series and original movies for this service. So if the Studio makes, let's call it, roughly 10 films a year or distributes 10 films a year – that includes Marvel and Pixar and Star Wars and Disney-branded and Disney Animation. We've commissioned them to make, to produce more films with the incremental films being produced very, very specifically and very exclusively for this service. So this will represent a larger investment in Disney-branded intellectual property, both TV and movies. Alexia S. Quadrani - JPMorgan Securities LLC: And then just a follow-up for Christine, if I may. The 3.5% sub loss, I think, you highlighted, I assume that's a net number with some of the current streaming services out there offsetting the traditional linear decline? And any color on how notable those maybe net adds either are now or likely to become in the coming quarters from what you see? Christine M. McCarthy - The Walt Disney Co.: No. That is a net number, Alexia, and there were additional digital MVPDs this quarter that helped that number. Alexia S. Quadrani - JPMorgan Securities LLC: All right. Thank you. Lowell Singer - The Walt Disney Co.: All right. Thanks, Alexia. Operator, next question, please?

And our next question comes from Todd Juenger from Sanford Bernstein. Todd Michael Juenger - Sanford C. Bernstein & Co. LLC: Oh, hi. Thanks. Probably no surprise following along similar themes. A quickie and then a bigger one. So the quickie, just to confirm, I think this is probably clear. I just would love to confirm it with your relationship with Netflix. So other than the specific output that you identified from Disney and Pixar, and then we talked about Marvel and Lucasfilm, all the other relationships you have with Netflix in terms of licensed ABC content and kids content and original content for Netflix, is it safe to assume that you intend to continue partnering with them and doing work with them as makes sense over the future? Or is there any change to that? And I do have a follow-up. Thanks. Robert A. Iger - The Walt Disney Co.: There is no change from our side. I can't speak for them, but we've had a great relationship with them. We made a decision some years back to license them the Studio output deal. They paid us well for that, and they did well as well. It represented real anchor programming for Netflix before they had an opportunity to ramp up their own original production, which they've obviously done aggressively and quite successfully. The Marvel relationship is a perfect example of how well we've done with them in terms of creating original product. That's been very mutually beneficial. It's done well for them. They leveraged the strength of the Marvel brand, and it's done well for us as we mined our IP and obviously made money from it. They've also licensed a number of ABC shows. We hope they'll continue to do that. This doesn't represent a change except on the Disney Pixar side, and as I cited earlier, possibly on the output deal for Marvel and Star Wars films, which we're still discussing and debating. Todd Michael Juenger - Sanford C. Bernstein & Co. LLC: Okay. Fair enough. The follow-up – I'm struggling with how exactly to phrase this, but I'll do my best. When you think about a major strategic shift that you've announced in terms of your distribution, obviously your peers and competitors will be expected to react and respond as well. And so I know you won't comment on what you expect them to do, but I'm sure you've thought through the different scenarios that this could play out and the reactions ripple through the industry. I guess the specific best way I can phrase the question is a specific concern that many people have is if this causes more of your peers and competitors to go direct themselves, that you could imagine a non-sports better quality direct offering coming to be in some way that would perhaps be appealing to lots of households who maybe don't care about sports. And maybe that would be bad for ESPN. Any new thinking? Have you thought through the pros and cons of that? Would love your thoughts on those types of scenarios. Thanks. Robert A. Iger - The Walt Disney Co.: I'm still trying to get, figure out who's the peer and who's the competitor. We've kicked around a number of scenarios here, and frankly, the discussion that we've had isn't something that we necessarily want to disclose to the outside world. Frankly, I'm not sure that this step is going to make much of a difference in terms of the, we'll call it, the disposition of the health of the multichannel ecosystem. I think there are forces, whether they're technological in nature or sociological or economic in nature, out there that are changing the way media is consumed in general, and I don't think this is either going to hasten them or exacerbate things in any way. What it does do, though, is a couple of things. First of all, it gives us the ability to leverage the strength of our brands, which a lot of our peers and competitors do not have. Secondly, it gives us what we'd call optionality. It's a word I've not used very much in my life, but it gives us the flexibility, really, to move our product to the consumer in many new ways, ways that we've not been able to do before, because of just how strong this platform is that we bought control of. We are very excited about that. We think it sets this company up well no matter what changes occur in the media ecosystem. I think if there's a headline, it would be one Disney leveraging its brands to take advantage of technological and consumer trends, and giving us flexibility if there is major shifts or continuing changes that occur in the marketplace, which, right now, no one else has. Todd Michael Juenger - Sanford C. Bernstein & Co. LLC: All right. Welcome to the club of people who use the word optionality. Thanks a lot for your thoughts, Bob. Robert A. Iger - The Walt Disney Co.: All right, Todd. Thank you. Operator, next question, please?

Our next question comes from Omar from Credit Suisse. Omar Sheikh - Credit Suisse Securities (USA) LLC: Good afternoon, everyone. Thanks for the question. Just a couple from me. First to Christine, maybe. I wanted to ask about the guidance that you've given that you'll see earnings dilution from – so it's two years from the BAMTech acquisition. I'm wondering whether, Christine, you could just maybe help us understand, how much we might see in 2018 and 2019. Obviously, there's the consolidation impact from adding the service to your income statement, but then the release also mentioned investment in the Disney-branded service, so maybe you could just walk us through the 2018 and 2019 impact of those two developments. And then, just while you're thinking about that, maybe one for Bob. I have a question about the appetite for sports rights costs within ESPN in the context of the new service. So I guess the question is do you think that your sort of historical strategy of acquiring a very broad range of rights across multiple sports, big and small, will remain the case long-term in the context of the new service? Or do you think having a direct relationship with consumers and being able to tailor a service more closely to individuals might change that? Thank you. Christine M. McCarthy - The Walt Disney Co.: Sure. Thanks, Omar. If you're talking about dilution as it relates to the acquisition of BAMTech, what we've said so far is that it will be modest for the next couple of years. We may get more specific on that when we come back at our year-end conference call in November, but, right now, we're just going to leave it as modestly dilutive. You've also asked about the investment that we'll be making in this new offering and how that would impact 2018. I think what you were asking is would it impact 2018 earnings, and the answer is there will be additional investment. We've not yet fully concluded what that is and the sequencing and timing of that spend. There'll also be content, as well as investment spending for technology, so the combination of those is something that we'll be prepared to speak with you more specifically later this year. Robert A. Iger - The Walt Disney Co.: And to the second part of your question, this acquisition and the subsequent launching of the service gives us, yet, another way to reach consumers, fairly-compelling way. In effect, an incremental way to monetize sports rights. With that, we have, we think, more of an opportunity to license sports rights for this service. Just as BAMTech has been in the market licensing sports for its subscription service, we'll continue to do that under us. Omar Sheikh - Credit Suisse Securities (USA) LLC: Okay. Thanks. That's clear. Robert A. Iger - The Walt Disney Co.: Okay. Omar. Thank you. Operator, next question, please?

Yes. Our next question comes from Jessica Reif Cohen from Bank of America Merrill Lynch. Jessica Jean Reif Cohen - Bank of America Merrill Lynch: Thanks. Just a couple of follow-ups in the direct-to-consumer service, and then a different topic. Do you have any thoughts on pricing for either of the services? And will you include advertising? Or is it a 100% subscription? And the last part of this direct-to-consumer is, are you considering premium VOD, a premium VOD window as part of this? And then, the separate topic on advertising, the market pricing, it seems to be very strong, but almost no company has been able to take advantage of the pricing, obviously, due to ratings issues. In your view, how much is measurement? Or is it the lack of capture from nonlinear viewing? And could you talk about what you're doing currently to kind of fix however you see that problem? Robert A. Iger - The Walt Disney Co.: Okay. Well, multiple questions. First of all, you mentioned something about a pay window. We're not planning to put our movie, to use this service to encroach on a theatrical window, if that's what you're asking. Jessica Jean Reif Cohen - Bank of America Merrill Lynch: Yes. Robert A. Iger - The Walt Disney Co.: We do hope to use this service to give people the ability to buy, to download-to-own or download-to-rent Disney movies in the window prior to pay, which used to be called the home video window. There is no reason why we shouldn't be doing that. But the priority here is this is a direct-to-consumer product, a subscription product. We do not intend on the Disney product to have advertising. Obviously, we do on the BAMTech side. I mentioned earlier they have some really strong ad technology and there are some great capabilities there and great opportunity to do a better job at monetizing, I'll call it, sports consumption but through the sale of advertising. I'm not sure I completely understand the last part of your question, partially because I was concentrating on answering the first few parts of the question. But was that about methodology? Jessica? Jessica Jean Reif Cohen - Bank of America Merrill Lynch: I mean, average – the pricing for – generally every media company that has reported has talked about how strong the pricing and scatter pricing is. But you can't, you and everyone else can't take advantage of it because ratings have been so weak. Is it all measurement or is it the lack of capture of nonlinear viewing? And what are you doing to kind of take advantage of a relatively strong market? What will you change? Robert A. Iger - The Walt Disney Co.: We've definitely had some ratings challenges at ABC. So while the scatter marketplace as Christine noted, has been relatively strong. We, obviously, haven't taken advantage of the marketplace as much as we could have because of our ratings issues. So, I think, the first thing is it's got to change as we've got to have better performance. There's a whole other side to monetization which you alluded to. We've had some great, for instance, great consumption of our product in the C3, C7 window, and we would hope that particularly C7, who knows whether we'll ever monetize beyond that, would improve in terms of our ability to monetize. We also know that the entire, I'll call it traditional TV ecosystem, is disadvantaged in terms of sale of advertising because of our lack of access to consumer data. And that's something that we've got to improve. We've had – for instance on the ESPN front, we've had some really good success by monetizing ESPN out-of-home and also some success monetizing what we've been doing on the WatchESPN app, or streaming. The technology that we're gaining through Bam gives the ability to improve that significantly, significantly. How we leverage it to the ABC business, I'm not 100% sure at this point, but I think I've answered your question at least best I could. There are a variety of dynamics at stake in terms of why monetization of the ABC side isn't as strong as it could be, though. Lowell Singer - The Walt Disney Co.: Thanks, Jessica. Operator, next question, please? Jessica Jean Reif Cohen - Bank of America Merrill Lynch: Thanks.

Our next question comes from Jason Bazinet from Citigroup. Jason Boisvert Bazinet - Citigroup Global Markets, Inc.: I just had a question for Mr. Iger. Philosophically on pricing of these over-the-top apps, it seems like there is at least a handful of ways you could approach it, the one is maybe the way Amazon or Netflix do it where you could argue it's underpriced and they're either trying to drive Prime memberships or gain first-mover advantage. There's another model where the pricing is set to sort of insulate you from cannibalization risks, maybe the way your Hulu service at $40 has launched where you're sort of agnostic what the consumer does. I think CBS's apps are sort of similar to that. And then there's a third way you could price which is just to profit maximize on that standalone app, right, based on whatever your assessment is of the right price to maximize revenues. Can you just talk philosophically about how you're thinking about the retail price of these various apps, whether it's ESPN or Disney? Robert A. Iger - The Walt Disney Co.: We've given it a lot of thought but it's premature for us to make any announcements, frankly, because we're still considering a number of different factors, some, by the way, that you cited. Clearly, this is a real priority for us as a company in terms of getting it right. Not just getting it right from a program perspective, meaning the product itself. Getting it right from a user interface perspective, which BAMTech will obviously, provide us with, but also getting it right in terms of pricing and distribution. What we're going to go for here is significant distribution because we believe one way to be successful in the long run is for both of these services to reach a maximum number of people. That shouldn't suggest a huge discount on what we might be able to charge, but it should suggest at least initially a very reasonable approach to our pricing. We don't necessarily enter this with a notion that we're going to cannibalize our existing businesses significantly, but we have had a discussion about whether our pricing strategy can have an impact one way or the other on that. And again, because we haven't named a price for these yet, we haven't determined it. We have ranges here, obviously, because we've done some modeling. I think when we do, we'll give you the benefit of our thinking and exactly what it is we're trying to accomplish, but I think you have to look at both of these as huge priorities for the company. This is, what I would characterize as an extremely important, very, very significant strategic shift for us. We talked a lot about trends about direct-to-consumer, particularly intellectual property, creators, and owners having the ability to reach consumers directly. When you have a strong fan base like Disney has, or ESPN, that creates all forms of other opportunities in terms of tapping into customer passion for the brand and connection to the customer. Again, I'm going to put this at the top of our list in terms of company strategic priorities over the next number of years. Jason Boisvert Bazinet - Citigroup Global Markets, Inc.: Thank you very much. Lowell Singer - The Walt Disney Co.: Thanks, Jason. Operator, next question, please?

Our next question comes from Steven Cahall from Royal Bank of Canada. Steven Cahall - RBC Capital Markets LLC: Hi. Just maybe switching gears to the parks for a few minutes, maybe the first question is you continued to defy gravity on the incremental margin at parks, and it looks like bookings are pretty strong domestically for the upcoming quarter. So is there any reason to think that the 20% to 30% incremental margins are not sustainable? And then separately, I think the comment on Shanghai was kind of an upgrade in terms of profitability versus the previous comment of being breakeven this year. So what do you think tracked ahead of your expectations for the year to deliver that result? Thanks. Christine M. McCarthy - The Walt Disney Co.: Okay. Steve. I'll take the parks margin question. You are seeing nice margins. There has been consistent improvement on a quarterly basis. What you saw this quarter was the contribution of our International park operations kicking in, both Shanghai as well as Disneyland Paris. So, I think it's fair to assume that the management of the Parks segment is very committed to driving improvement in margin, and when you look at the investments we're making and the cadence with which we have of new attractions opening over the next couple of years, we expect those margins to stay strong and hopefully stay on the trajectory they're on now. Robert A. Iger - The Walt Disney Co.: On the Shanghai front, when we opened the park we were confident that we had built a great product, but we didn't know exactly how the market would react. And now over a year of operation, the market has reacted really well. To begin with, I mentioned earlier on the call we had 13 million visitors so far. Secondly, guest satisfaction is extremely high. Length of stay is a couple of hours longer per stay or per visit than we had anticipated, and about two-thirds of our visitation is coming from outside the Shanghai area. So as I've said before, this is basically a national tourist destination. So it is a very, very well-received product in China, and the nice news is, of course, that we have plenty of opportunity for expansion. And in fact, some of the expansion in construction is already underway, and Toy Story Land is going to open up next year. In terms of the specific impact to the bottom line, obviously when you have attendance at the level that we have, that, obviously, is a reason why the profitability is higher. We've had extremely high occupancy in our hotels. On the merch side and the food and beverage side a little bit less than we had expected, but not appreciably. And so the overall effect of great guest satisfaction and substantially greater visitation is an operation that in its first 14 months of service is more profitable than we anticipated. Steven Cahall - RBC Capital Markets LLC: Thank you. Lowell Singer - The Walt Disney Co.: Thanks, Steven. Operator, we have time for one more question.

Perfect. Our last question comes from Dan Salmon from BMO Capital Markets. Daniel Salmon - BMO Capital Markets (United States): Hey. Good afternoon. Thanks for taking the question. Bob, if we take a step back and look at the announcements here around BAMTech, around the direct-to-consumer apps, and in addition around significantly more investment in originals and exclusives for those services, obviously you've mentioned the Netflix deal, which you do not aim to renew. There's some moving pieces here in what you do with Star Wars and Marvel IP, but as we think about out-year operating income estimates, what are the other sort of key variables impacting your licensing revenue, impacting your programming and production expenses that we should sort of have in our heads as we think about the impacts of this significant change to improve the company over the long-term? I would think about pace of global roll-out as we talked about earlier, but what are the other things that you think are the key variables we should have in mind? Robert A. Iger - The Walt Disney Co.: I don't want to sound impertinent, I can't give you much guidance there. I can only say that you have to look at, first of all our – I'll call it our product cycle. With a slate of Marvel films that goes well into the next decade, and the same with the Star Wars front – on the Star Wars front and probably the strongest slate of Disney films that we've ever had in development, you have to consider the options from a revenue-generating perspective that that provides us in multiple windows, in multiple ways, whether it is licensed to third parties in a variety of forms or whether it's proprietary on our services, meaning subscription, et cetera, and so on. I also think you have to consider global trends in the direction of, as I said earlier, app based media consumption, over direct-to-consumer OTT services, which gives us the ability to improve our fortunes in terms of how we monetize the great IP and the strong brands that we have, whether it's in increased advertising revenue, whether it's in the, basically the value creation proposition of knowing the consumer better and mining data more effectively; whether it's in basically creating stronger bonds or stronger brand affinity. We've got this unbelievably passionate base of Disney consumers worldwide, and virtually all of our businesses except theme parks, we've never had the opportunity to even connect with them directly and know who they are. And it's high-time that we got into the business, particularly with the technology available to us, to accomplish that. Once we do, and this gives us the ability to do it, then I think the monetization possibilities are extraordinary for this company. There will be some sacrifices. Obviously, as you move product from, I'll call it, a licensed to third-party model to a self-distributed model, you're foregoing the licensing revenue that you'll get for whatever revenues you generate by all the things that I just described. We believe that ultimately, I can't give you an idea of when or how long, the profitability, the revenue-generating capability of this initiative is substantially greater than the business models that we're currently being served by. Daniel Salmon - BMO Capital Markets (United States): Great. Thanks. I guess we'll look forward to those more details, next quarter. Thanks, Bob. Lowell Singer - The Walt Disney Co.: Thank you, Dan. Lowell Singer - The Walt Disney Co.: And thanks again, everyone, for joining us today. Note that a reconciliation of non-GAAP measures that were referred to on this call to equivalent GAAP measures can be found on our Investor Relations website. I'll also remind you that certain statements on this call may constitute forward-looking statements under the securities laws. We make these statements on the basis of our views and assumptions regarding future events and business performance at the time we make them, and we do not undertake any obligation to update these statements. Forward-looking statements are subject to a number of risks and uncertainties, and actual results may differ materially from the results expressed or implied in light of a variety of factors including those contained in our Annual Report on Form 10-K and our other filings with the Securities and Exchange Commission. This concludes today's call. Have a great rest of the day, everyone.

Thank you, ladies and gentlemen. This concludes today's conference. Thank you for participating. You may now disconnect.